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Bit by bit…..

Putting it together…..

I was privy this Saturday to a private preview performance of a new and exciting theatre production currently in creative development.

“TTFO, Things That Fall Over” an (anti-) musical of a novel inside a reading of a play, with footnotes, and oratorio-as-coda. Now isn’t that a mouthful?

Yesterday’s performance highlighted the musical aspects of the production and it was fabulous and very entertaining even in its raw state (only a week of development so far), Impressive to say the least.

This behemoth of a theatrical idea comes from the pen of acclaimed playwright Peta Murray (Wallflowering, Salt) and has music by composer Peta Williams – a talented lady with an ear for a good show tune. To find out more about this show click here  to the blog, and like the Facebook page here.

It will be very exciting and a lot of fun seeing the development of the piece to the opening night sometime in the second half of 2013.

Go Girls!!!

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Happy birthday George, Martha and James.

October 2012 marks the 50th anniversary of 3 very popular and famous characters – two on stage and one on screen.

George and Martha one of theatres most contentious married couples exploded on stage October 13, 1962 in Edward Albee’s masterpiece Who’s Afraid Of Virginia Woolf.  A week  earlier on October 5th the film premiere of Dr No and adaptation of an Ian Fleming novel introduced us to super spy James Bond.

A half a century later they are still going strong with the release of the latest Bond film Skyfall (number 23 in the franchise), and the opening of a new production of Who’s Afraid Of Virginia Woolf on Broadway.

Sean Connery played James Bond first back then and he is arguably the best. Recently the mantle was taken over by actor Daniel Craig and some would say he may be ever better, he returns in Skyfall and the film itself has received very positive reviews from Variety and The Hollywood Reporter. It has a serious director at the helm in Sam Mendes and with cinematography by the great Roger Deakins and production design by Dennis Gassner it is sure to be the best looking Bond film ever. Also quite exciting is that the latest Bond villian is played by Javier Bardem sure to be a highlight amongst many. It opens in Australia in early November.

The latest Broadway incarnation of Albee’s classic play comes by way of an acclaimed production by Chicago’s acclaimed Steppenwolf Theatre Company. Playing the dysfunctional couple this time are actor/playwright Tracey Letts as George and Amy Morton as Martha. Morton played a leading role in Lett’s Tony winning hit play August: Osage County a few seasons back. It opened at the Booth theatre on October 13 exactly 50 years after the first premiere. Of course there was cinemas famous George and Martha played to perfection by Richard Burton and Elizabeth Taylor in a 1966 film adaptation directed by Mike Nichols, who can ever forget them! Legendary acting teacher Uta Hagen and Arthur Hill originated the roles.

From L-R Hagen & Hill, Taylor & Burton, Morton & Letts

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Chookas to Carrie !!

The Off Broadway revival of Carrie The Musical premieres in just a couple of hours at the Lucille Lortel Theatre in Greenwich Village, NYC.

Chookas!!  to all the cast and crew.

I hope it will be a massive hit and extend past the April 22 closing date, then Babs may be in with a chance and catch it.

Enjoy these production stills from the show.

Photos credit: Joan Marcus

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Don’t speak….Bullets headed for Broadway

I am very pleased with the news that Woody Allen’s brilliant comedy “Bullets Over Broadway” is coming to, where else?

Broadway.

Woody is adapting his 1994 movie as a musical, aiming for a New York opening in 2013.  The musical is being co-written with Douglas McGrath, from their original screenplay, and will feature period music from the Depression era.

It tells the story of a struggling writer David Shayne who agrees to cast a gangster’s girlfriend – Olive, in his new play in exchange for financing.

I think this is one of Woody’s best films and certainly one of his funniest. It features a superb cast (John Cusack, Jennifer Tilly, Jim Broadbent, Tracey Ullman amongst others) and it gave the divine Diane Wiest her second Oscar for her portrayal of stage diva Helen Sinclair, who utters the famous words “don’t speak” in moments of ecstasy! A true laugh out loud moment.

Dianne Wiest (Helen) and John Cusack (David) in a moment of pure art direction and stunning costume design from the film.

 

Here are a few bits of the very funny dialogue from the film, hopefully to remain intact for the stage version, why would one change a word?

*The coloured maid Venus and the gangsters moll Olive (Jennifer Tilly – hysterical in her Oscar nominated role) have an interaction over cocktails…..

Olive: Hey, didn’t I tell you to make “horse durves”?
Venus: I don’t make nothin’ out of horses, especially “horse durves”, ’cause I don’t know what they are, and neither do you.
Olive: Oh, aren’t you the big mouth since you hit your number!
[raising her voice]
Olive: And I said the imported stuff!
Venus: The imported stuff ate through the bottle! It’s gone!
Olive: A likely story!
[composing herself – to David]
Olive: It’s very hard to get good help these days.

Jennifer Tilly as Olive.

*Sid Loomis, Helen’s agent (Harvey Fierstein) accuses her of being a drunk….

Sid: You’re a star because you’re great and you are a great star, but let me tell you something, Helen. In the last couple of years you’re better known as an adulteress and a drunk. And I say this in all due respect.
Helen: Look, I haven’t had a drink since New Year’s Eve.
Sid: You’re talking Chinese New Year’s.
Helen: Naturally. Still, that’s two days, Sid! You know how long that is for me?

*When Helen has a drink at the bar with David….

Helen: Two martinis please, very dry.
David: How’d you know what I drank?
Helen: Oh, you want one too? Three.

*And of course Helen’s most famous line, as David asks her for a kiss…..

Helen: No, no, don’t speak. Don’t speak. Please don’t speak. Please don’t speak. No. No. No. Go. Go, gentle Scorpio, go. Your Pisces wishes you every happy return.
David: Just one…
Helen: Don’t speak.

I can’t wait to see who gets the role of Helen Sinclair, sure to be filled by a true Broadway diva. (Patti Lupone anyone?)


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Betty visits Carrie.

Betty Buckley the Tony winning Broadway diva who played Carrie’s mom in the original Broadway flop-turned-cult-musical (she was also the gym teacher , Miss Collins in the movie version) went to see the new revisited off-Broadway revival. She liked it but called it a PG. version of the original. I love Betty and I love Carrie too.

A couple of my New Yorker friends have seen it and have given it the thumbs up with a few reservations, it’s not the dog one expected but also not the misunderstood masterpiece, overall it seems it’s a good night at the musical theatre.

pic by Jenny Anderson/Broadway.com

Betty Buckley, center, with Molly Ranson, left, who plays Carrie, and Marin Mazzie, who plays Carrie’s mother.

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A trickle of blood

CARRIE is a coming, and before the gush of blood here is a little trickle to tantalise……

The first preview of the off-Broadway revival of the cult flop musical based on the Stephen King novel and the Brian DePalma classic movie will be performed on Jan 31st – next Tuesday. The official Playbill cover has been released as well as some other publicity, including a performance of a new song performed by the characters Sue Snell and Tommy Ross. Here is a taste for you.

Broadway.com have gone behind the scenes so here is a sneak peek of what we might expect.  I have my spies in New York eager to tell me of the outcome, I just hope it is a hit and I will get to see it on my planned trip in May.

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It’s A Wrap – Part Two

MY THEATRICAL YEAR.

Sadly my year at the theatre was meagre. If only I could have  squeezed in a trip to New York which had a bumper year, alas I did not.

But I did manage to see a few live presentations, musicals dominated, a couple of comedy gems and even a puppet show abroad!

Here they are.

SPRING AWAKENING.

Presented by The Young Australia Broadway Chorus at St Kilda’s National Theatre. An amateur production yes but this was a chance for me to see the Tony award winning Broadway musical live. Performed by a young cast exact of age to the characters they represent on stage – teenagers coming of age both mentally and most importantly sexually. Based on the play by German author Frank Wedekind which premiered to great controversy in 1906. A musical dealing with teen sexual awakening and with a rock score by Duncan Sheik and Steven Slater. A fine cast performed with all the energy and dedication to the piece that I am sure was witnessed on the great white way. A lot of young talent to be admired, I loved the piece and enjoyed this production – was glad to finally catch up.

MARY POPPINS.

This Cameron Mackintosh hit production featuring a fine hand picked Australian cast was a real delight. Everything worked! – the dancing, the scenery, the singing and the songs. Professional theatre at its best. Highlights being Verity Hunt-Ballard as the famous Nanny – bossy but with a heart of gold, and Debra Byrne as the bird lady who sang the famous “Feed The Birds” so moving and sublime of voice. A treat for kids and adults. I really enjoyed every moment, musical theatre doesn’t get much better than this.

XANADU.

The stage musical version of the infamous flop movie musical starring Olivia Newton John was a surprise hit on Broadway but a dismal failure down under. Presented under a Big Top tent at Melbourne’s Docklands it had horrendous sound problems and I suppose did look rather cheap. It was not a total write off thats for sure. I for one loved the book by Douglas Carter Beane and the energy of the hard working cast. I enjoyed it far more than many I guess? (it failed to tour round the country as planned) and I can tell you the reason why – Christie Whelan in the leading role of Kira – daughter of Greek god Zeus, all Aussie accent, leg warmers and roller skates. She is such a fine comedienne (her timing is exquisite) and has a rip roaring Broadway belting type voice. A standout in the MTC production of “The Drowsy Chaperone” and I am told the best thing in the recent revival of  “The Important Of being Earnest”, upstaging Geoffrey Rush is no mean feat. Surely she will be cast in the new planned Australian production of the musical “Legally Blonde” but her talents deserve so much more than that. For me Xanadu presented to me a star what more do you need?

HAIRSPRAY.

A local production of the Broadway hit. What a disappointment. Under the direction of David Atkins and choreography from Jason Coleman it was promoted as a state of the art production with never seen before staging. I was appalled! The set consisting of computer lighting that conjured up animation that was both lame and horribly unoriginal. Fortunately for me I did see a production of the Broadway original in London and it was brilliant fun. Sadly the over the top hammy performances and unsubtle direction made this night in the theatre unbearable for me. I could go on and point out all the faults from both cast and creatives but I can’t be bothered – enough time spent on this turkey.

ROCK OF AGES.

A total reproduction of the Broadway hit musical that is a real guilty pleasure. Slick direction, slick design, choreography that excites and songs from the 80’s rock music cannon – yes it is another jukebox musical. I saw a final preview and it was rocking. The cast were clearly having a rip roaring time and the audience hooting and hollering were too. A silly storyline about the redevelopment of the famous Sunset Strip in Hollywood doesn’t have much chop, but the enthusiasm and clever direction worked a treat. Sadly it also failed to tour around the country as planned but a film version is due out mid year directed by Adam Shanckman (Hairspray) and featuring Tom Cruise in the scene stealing role of rocker Stacee Jaxx.

NEXT TO NORMAL.

This local production of the Broadway musical was presented by the Melbourne Theatre Company. It lacked the pathos and excitement that I experienced in the Broadway production of which I blogged about a while back . The set was over active and a total distraction and the cast led by Kay Kendall lacked the talent required to pull off this fantastic musical. Oh well we can’t always get it right.

PARADE.

I went along to see this high school production of another Broadway musical because it gave me the chance of seeing it live and complete. I have long been a fan of the Tony winning score by Jason Robert Brown so it was good to see it performed. An unusually grim choice for a school musical it tells the story of Leo Frank wrongfully accused and convicted of raping and murdering a young schoolgirl back in 1913 in America’s south. Frank was a successful Jewish businessman and the show deals with anti-semiticism and media sensationalism – still going on today! It was a flop when it was presented on Broadway back in 1998. With its grim subject matter it is hardly Broadway feel good fodder but its score is still highly regarded as one of Broadway’s finest. The schoolkids involved in this production did very well, some voices not up to scratch but others (particularly the lead boy) were quite impressive. Hats off to St Michael’s Grammar.

LOVE NEVER DIES.

This overhyped and underwhelming dud of a musical is only worth mentioning for the fine set and costume design by Gabriela Tylesova. Dull and boring even with so much movement going on. To distract one of all the shortcomings of the production perhaps?  You can catch it on DVD soon as it was filmed during its Melbourne run.

GREY GARDENS.

Fantastic casting and performances made this local production of the Broadway show based on the acclaimed documentary a real highlight of my theatrical year. I expect Pamela Rabe to win a few awards for her heartbreaking performance as Little Edie Beale. Nancye Hayes as Big Edie held her own too and is eagerly anticipated for her upcoming role as Miss Hannigan in the new revival of “Annie”.

LILY TOMLIN.

This is the second time I have managed to see Lily Tomlin in her live comedy act and she didn’t disappoint. A marvel at face manipulation and full of endless energy she had me laughing out loud and riveted as she took on all her favourite creations with their unique take on the modern world. I love Lily!

EDDIE IZZARD – STRIPPED.

My first time seeing Eddie Izzard live was a last minute decision and I am glad I made the right one. I laughed in wonder at his observations regarding the creation of the world. It really impresses me when performers of this calibre manage to entertain for almost 3 hours (including interval) on stage solo. It must be so exhausting. Izzard is a master at it.

SMOKE AND MIRRORS.

“Smoke And Mirrors” was another first for me. It was the first time I was to see the acclaimed performer iOTA perform live. After performances in “Hedwig And The Angry Inch” and as Frank-n-Furter in a revival of “The Rocky Horror Show” this was the show I caught up with his talents. Performed in the famed Spiegeltent at the Arts Centre. Part vaudeville, part fantasy, part circus act iOTA led a troupe of performers on a musical journey fantastical and funny, moving and magical. He didn’t disappoint, I’d check him out again sometime.

THANG LONG WATER PUPPET THEATRE –  HANOI

I went to see this water puppet show when I was holidaying in Hanoi, Vietnam. It was very touristy and a little tacky but it did have live performers, thankfully it was quite short too. I am glad I saw it as it is always good to soak up some local culture while abroad.

NT Live – FRANKENSTEIN

Filmmaker Danny Boyle’s production of Mary Shelley’s classic novel was very disappointing. I am sure that seeing it live may have been more electric but the ever imposing cameras of the NT Live presentations didn’t capture it. The performance I saw featured Benedict Cumberbatch as the monster and Johnny Lee Miller as his creator Victor Frankenstein. (they alternated the roles in the shows run) I felt that Cumberbatch gave way too much of a ‘gimp’ style performance that seemed so overblown in the confines of a cinema with close up camerawork. The rest of the cast had nothing much to offer and I must say I was bored by the banality of this particular adaptation.

NT Live – THE KITCHEN

I enjoyed this production much more than “Frankenstein”. The play by Arnold Wesker was first performed at the Royal Court in 1959 and is set in the kitchen of a very busy London restaurant. It tells of the trials and tribulations of its workers – the chefs, kitchen hands, waitresses et al. It had moments of great theatricality and choreography that was very creative. The miming of the cooking and the sequence in which full service was occurring was a highlight. Once again the imposing camerawork from the NT Live presentation hampered some of the better moments and didn’t help with some of the theatrical hammy performances (close-ups are not kind on a theatre actor reaching out to the back row). I do enjoy seeing these NT Live events but I wish they would hold back on the ‘clever’ camerwork and let us watch the show as if we were there in the front row, not riding on top the lens of the camera.

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