Tag Archives: New York

Coming soon….my year of the diva!

From wikipedia:

diva is a celebrated female singer; a woman of outstanding talent in the world of opera, and by extension in theatre, cinema and popular music. The meaning of diva is closely related to that of prima donna.

The word entered the English language in the late 19th century. It is derived from the Italian noun diva, a female deity.  The basic sense of the term is goddess.

(My definition includes actors, playwrights, novelists and any form of artistic expression.)

Jennifer Hudson

 

 

1 Comment

Filed under Uncategorized

Winning the trifecta

NEW YORK STORIES – The Shows

There are 3 elements that need to be perfect for me to make a show shine above the rest, the play (content), the performances, and the production. It is very rare when all 3 hit the mark. Out of the 21 productions I saw in NYC only 5 made it to the winner’s circle. 3 plays and 2 musicals.

Here I will highlight the plays.

All three of them were from an off-Broadway stage, I’m not saying that the ones caught on Broadway weren’t any good, they certainly were, but they seemed to be held up by star performances with the play or production lacking.

3000 Miles by Amy Herzog.

This wonderful production has star performances by Mary Louise Wilson and Gabriel Ebert as a 91 yr old grandmother and 21 yr old grandson who seeks refuge at her apartment in the West Village of New York City after losing his best friend on a cross-country bicycle tour. Amy Herzog’s delicate and humorous play explores how these two unlikely outsiders cope with living  in today’s world.  One would think that the cross generational aspect of the play may bring up fireworks but Herzog doesn’t succumb to cliche instead drawing two fine and unorthodox characters and giving the actors involved roles to shine in. They are ably supported by the 2 women in the boy’s life, his ex-girlfriend (Zoe Winters) and a one night stand (Greta Lee). The  superb direction by Daniel Aukin never misses and his creative collaborators – costumes (Kay Voyce), lighting (Jaffy Weideman) and set design (Laura Helpern) are first class. Presented by the Lincoln Centre Theatre on the Mitzi E. Newhouse stage they certainly won the trifecta with this one, it has extended many times and won a joint Obie award for the leading actors as well as for best new American play – well deserved.

Gabriel Ebert & Mary Louise Wilson in their award winning roles

Lonely I’m Not by Paul Weitz

This play was recommended to me by a New Yorker. It was not on my radar but she assured me it was a very good play given a top notch production. The reviews were good and the theatre just around the corner from my apartment. I was given a discount code and at the last minute decided to venture along – 30 minutes and $30 later (a bargain) I was sitting in an excellent seat at the Second Stages theatre. To my delight in walked director Mike Nichols and his beautiful wife Diane Sawyer and they plonked themselves down 2 rows in front of me – distracting at first (did Mike laugh? what did he think of it?) but soon this excellent play grabbed my attention and I was delighted to see a top notch show.

Featuring the stage debut of TV & film actor Topher Grace (That 70’s Show) the play was written by Paul Weitz best known as a film screenwriter (Amercian Pie, About A Boy). A contemporary dysfunctional love story – a riff on the Hollywood rom com. The boy, Porter, was a Wall Street broker who suffered a meltdown and four years later is holed up in his LA apartment. Set up by a friend he goes on a blind date (literally) where he meets the girl, Heather who is blind and a workaholic determined not to let her disability get in the way. So they meet, they date, they fall in love, they fight…  The story might have an element of cliché but the finely drawn characters and excellent acting by the whole cast had me enthralled, laughing, crying and on the edge of my seat. Topher Grace (a real surprise) and Olivia Thirlby as his blind girlfriend create totally believable characters and the deft direction by Trip Cullman once again aided by fine collaborators of which particular mention should go to set designer Mark Wendland and projection designer Aaron Rhyne – the production used words, projections and holograms to great effect giving it a contemporary cinematic feel. I left the theatre happy that all 3 criteria had been met and also wondering whether Mike Nichol’s liked it as much as I did and would he direct the film version? here’s hoping 🙂

Olivia Thirlby & Topher Grace perform a rocky romance

A clever set uses words to help tell the story

Cock by Mike Bartlett

An acclaimed English import as far as play and production go but with an American cast. One could imagine that recasting could ruin the trifecta but it sure hasn’t. With a provocative title that is unable to be printed in some New York press it is also known as “The Cock Fighting play”!!

English playwright Mike Bartlett bounced onto the West End scene when this production originated at the famed Royal Court theatre. It is performed on a purpose built setting in which the audience sit on plywood benches with very thin cushions, the show is performed in the round and the meticulous direction by James McDonald choreographs the action as if you were indeed watching a cock fight play out. What are they fighting for? The love and affection of John (Cory Michael Smith) who decides one day that he does not want to live with his  boyfriend, known as M (Jason Butler Harner), anymore. He meets a co-worker known as W (Amanda Quaid) and they start up a heterosexual relationship which leads to all sorts of conflicts and confusion. M insists on dinner party showdown  in which his father F (Cotter Smith) is in attendance for support.A decision needs to be made and the tension till that final moment is breathtaking. Using no props or settings whatsoever the extremely talented cast perform their roles to perfection in a production of a very profound, funny and moving play. The audience are all in close proximity (check out the setting below) and although at times it can be startling you soon become engrossed in the drama unfolding in front of you. Theatre doesn’t get much better than this. “Cock” is playing an open ended run at the Duke Theatre on 42nd street, go see it if you are in town.

Fighting for love in the ring of life – The fine cast of Cock

Leave a comment

Filed under Awards, musical, New York, Theatre, Theatre review, travel

Stinker Superstar, shrill Eva.

NEW YORK STORIES – The Shows Pt 2

1. Jesus Christ Superstar at the Neil Simon Theatre.

2. Evita at the Marquis Theatre.

I have decided to pair these two productions together for two reasons. Both are from the Andrew Lloyd Webber/Tim Rice team. and both are lacklustre second rate productions of ok musicals, well at least I used to think that they were ok. Perhaps I was wrong?

Jesus Christ Superstar came from an acclaimed sell out Canadian production and all I can say is that up there in Stratford Ontario they must not get out much. Of course this is not entirely true as it originated at the renowned Stratford Shakespeare theatre festival. I saw it on my first day at a matinee, and  I refuse to blame the jet lag for my lack of enthusiasm. I was wide awake in disbelief at how poor it was. It reminded me of musical moments on “Glee”, I am a fan of Glee but it is suited to the small screen and not a Broadway stage. Cheap sets, cheesy staging and two lead performances that were completely miscast or misconceived. Chilina Kennedy who plays Mary Magdalene couldn’t hit the notes and most of the time sounded out of tune, her acting was as mechanical as the set. I saw the understudy in the role of Jesus (Nick Cartell), his role was performed so boringly passive it made me aggressive!!! The only saving grace was Tony nominated Josh Young in the role of Judas, he is a fine actor and belted out his numbers with real conviction (it’s a great theatre role), unfortunately his costumes were very oddly fitting and cheap, along with the rest of the cast – the thrift shop suit Jesus wears in the final scenes looked like reject duds from a 70’s blaxploitation film, oversized on a small white man. The score was supposedly so loud they announced you did not have to switch off your cell phones as nobody would hear it. Well it wasn’t that loud and I found the orchestrations very dull and uninspired. A cheap production transported to the great white way, ripping off the tourists who most probably deserved it since they gave it their obligatory standing ovation. I sat put in my seat defiant!!  This Superstar was a stinker. Being my first production on this trip I was taken aback and feared for the worst. This week the producers have announced that if sales don’t pick up they will close the show on July 1st marking the production as a big flop as it should be. Perhaps there is a god after all?

Josh Young shines as Judas

Evita is another second hand production that originated in London quite a few years back. Acclaimed director Michael Grandage is responsible for the first ever revival of the hit musical from the late 70’s about the life of the infamous wife of an Argentine dictator. Originally it had star performances from Patti Lupone and Mandy Patinkin in the roles of Eva Peron and Che Guevara. This time we have dull performances from Elena Roger (recreating her London success) and pop star Ricky Martin who hardly registers at all in his role. This production has abandoned the high theatrics of the original clever Hal Prince staging and opted for a more realistic approach that unfortunately lays bare the tedium of the by the numbers biography elements of the show. Eva is bored in small town, Eva meets high powered politician and beds him, Eva wants power, Eva gets sick, Eva dies. It’s a bit like watching a Hallmark TV movie. Scary that I have compared both shows to television! Now back to the leading actress Elena Roger, she’s a pint sized dynamo in the first few scenes and well suited to the choreography (Rob Ashford doing a great job) they fling her up in the air countless times perhaps because they can. But she lacks the vocal chops that the role demands sounding so shrill it hurt my ears. The gimmick is that she is from Argentina therefore authentic, well unfortunately I didn’t understand very much of what she was singing, thankfully I knew the score. A lady sitting next to me was new to the whole show and was very confused and unimpressed. A saving grace was the standout performance by Michael Cerveris as Eva’s hubby the dictator Juan Peron. He gave the role soul and compassion and has a superb singing voice, very grateful that I got to see this fine performer live on stage. As for the rest of it well lets just say that I’m not crying for Argentina, I’m crying for Broadway mediocrity.

Michael Cerveris in his Tony nominated role as Juan Peron in Evita.

It is interesting that both productions have a standout supporting performer and that both leading ladies have vocal problems. Mr Lloyd Webber and Mr Rice sure have cashed in this year with lazy revivals of old hits. What I am fearing next is that Sir Andrew has a reconceived production of “Cats” waiting in the wings – this time performed on roller-skates with authentic cat fur costumes.

Leave a comment

Filed under musical, New York, Theatre, Theatre review, travel

Let’s go on with the shows…….

NEW YORK STORIES – The Shows Pt 1.

I was in New York for a total of 29 days and 28 nights. I managed to catch 21 productions in total. Some shows were brilliant, others downright stinkers. I was there whilst the Tony awards were being presented – live. Fun that I had seen a few of the productions that were nominated and honoured. I’ll give my opinion of them all in coming posts but let me  just say that Lloyd Webber & Rice musicals need good productions and that playwright Kenneth Lonergan should not write & direct he also needs a good script editor…………

The Tony awards red carpet

Stinker # 1

Don’t cry for me Ricky Martin.

Lonergan should begin again.

Leave a comment

Filed under Awards, musical, New York, Theatre, Theatre review, travel

Food glorious food, what is it we live for?

NEW YORK STORIES – Food Pt 1.

I love food and I love dining out. New York is a mecca for good affordable eateries, one can be clever and eat at famed dining establishments without breaking the budget. I made it my mission to sample a few. The trick was lunchtime outings sitting at the bar chatting to the excellent bar staff sampling the fare from a cheaper menu sometimes fix prix, smaller portions which was a godsend – it became a regular occurrence on my agenda. Oh and did I mention the fabulous cocktails? Here’s to the ladies who lunch…..

Cocktail with a view at Roberts atop the Museum Of Art & Design (MAD) Columbus Circle

Del Posto, The Dutch, The Spotted Pig, The Breslin, Locando Verde were major highlights. In the early evening a bar sitting afforded you a spot that within a few hours saw hungry diners queueing outside leaving you to head into the night full of fine food and a few tasty cocktails, very jolly indeed!! Famed Minetta Lane Tavern was a superb experience and pizza at Pulinos on East Houston in the East Village along with fresh organic fare at Prune across the road have etched fond food memories on my palate.

I’ll attempt to share a few of those experiences in coming New York Stories food posts – something to salivate over.

Minetta Lane Tavern

April Bloomfield’s acclaimed The Spotted Pig

Herbs aplenty surround the exterior of The Spotted Pig in Greenwich Village

The Dutch in Soho, I ventured there 3 times.

A late night pizza at Pulino was my first meal on arrival – bellissimo!!!

3 Comments

Filed under food, New York, travel

I dreamed a dream job.

For some reason I have a case of blogger block. Not interested in reporting anything that’s going on – go figure!

So in this short post I am going to list my 5 top dream jobs.

1. Philanthropist – the joy of giving money to struggling artists/filmmakers/designers etc. would be a dream. Scholarships in my name would be necessary. And of course a lot of charities would benefit. Regarding the gala benefits…. I would of course be in charge of the decor, menus, entertainment and themes. A monster would be born!!!!! (perhaps destroying the true meaning of the word philanthropy?)

2. A Broadway Producer – preferably a musical, but I wouldn’t say no to a play. I would like a hand in the casting and the composer and the book writer and the design. They all have to be A-grade or have the potential to be,  or forget it!!!

Legendary Broadway producer David Merrick – a tyrant? a genius?

3.  A novelist – a great storyteller with a gift for language and form. A playwright would be a dream too. I admire writers the MOST. A screenwriter is another story – imagine my words ruined by an egotistical director and a cast of actors, of course if they are Judy Davis and the like I would accept the changes.

A favourite author of mine – Donna Taart author of The Secret History & The Little Friend

4. A cheese-maker because they are blessed (especially if of the  washed rind variety).

Smelly cheese is the best!

5. A humble person living off the land, procuring produce and the likes amongst the locals, inviting friends and family and guests to enjoy food and wine and walk amongst nature, warm fires, good food, oh what heaven!

A rare appearance – Babs amongst the veggies

Babs and her girls. (ignore the film lighting stands – darn those gaffers!)

Feed your friends good old-fashioned meat

 

3 Comments

Filed under food, movies, musical, New York

A little bit of Broadway at home

It is almost 12 months since I started to plan my holiday to New York, my how time flies. Since that trip  my theatre bug has escalated and I long for my return.

In the meanwhile……..

I have been traipsing off to the theatre to see some Broadway hits in their local version.

Here are a few thoughts.

SPRING AWAKENING

The Tony winning emo rock musical that launched the career of Glee’s Lea Michele & Jonathan Groff.  With book and lyrics by Steven Sater,  Music by Duncan Sheik. Based on Frank Wedekind’s controversial play of 1891, the musical fuses a nineteenth century story about provincial German teenagers coming of age, with a twenty-first century indie rock score, it was a thrilling musical experience.

Performed by the Young Australian Broadway Chorus at the National Theatre in StKilda – an amateur theatre production that was far from amateur. The extremely talented young cast of performers had talent in abundence. Future stars in the making that would make Australian Idol stand back in shame.

I loved it. loved the book, the score, the direction, the sets and costumes were fine also.

I so wished I had have seen the original Broadway production, but at least I have seen it 🙂 I have bought the cast recording and it is hardly off the player in my car……

the sounds of “I don’t do sadness” blast out of the car, no doof- doof for me!

MARY POPPINS

Mary Poppins was playing when I was in NYC but I knew there was an Australian production being performed back home so I decided to skip a 3rd generation cast on Broadway.

I am glad I did. Cameron Mackintosh is an expert in casting first run shows (his Australian cast of Les Miserables is legendary). Mary Poppins is no exception.

Performed at Her Majesty’s Theatre in Melbourne (about to head to Sydney), I was pleasantly surprised at how much I enjoyed it. Even hideous children squirming and complaining and wanting to go to the toilet for the attention! – did not effect my attention. That in itself is a triumph. The carbon copy production was excellent and the cast were superb. hats off to as Verity Hunt-Ballard as Mary Poppins so bossy and vein, and Debra Byrne was so moving and such a superb voice as a the bag lady feeding the birds. The child actors had talent in abundance and the effects were clever, fun and inspired. Mary disappeara\ing thru the roof was far more exciting than the tired old chandelier from that dreadful Phantom musical.

I went along on the day of performance and there was only 2 available seats left – restricted viewing. I checked the plan and realized that I would only on occasion miss the extreme stage left performance space – about a metre. I saw everything and loved it all. All at the cost of $30 – what a bargain.

XANADU

Performed in a tent at the Docklands, the asshole of Melbourne development, already I had my doubts. I recall a tent version of “Starlight Express” that was a mega flop many years ago.

So Xanadu the musical is based on the dreadful 80’s flop film that was a vehicle for Olivia Newton John (go figure) after her success from the film version of “Grease”. the soundtrack was a huge hit, the movie a huge flop.

This show is a clever construct. Douglas Carter Beane, an acclaimed playwrite has fashioned a very clever and camp book full of quips and asides about how bad the movie was, his tribute to the 80’s “Clash Of The Titans” was inspired – well at least I got the jokes, made for 40 something gay men!  the songs are familiar and u will hum them for days after – not that that is a good thing.

But the main reason to see this show – Christie Whelan, in the shoes – or should I say roller skates – of our own Livvy in the lead role of the muse Kira, all Aussie accent and leg warmers and the timing of a great comedienne, the singing voice of any great Broadway diva, and the dancing chops that could easily appear in a Fosse show, and she was mostly wearing skates. A true triple threat and she is a star. I saw her in early 2010 in “The Drowsy Chaperone” (in the role of Janet Van De Graff) and I was very impressed and took note of her talents, she is next to appear in “The Importance Of Being Earnest” alongside her Drowsy co-star, Geoffrey Rush. She is a rising star and you must see “Xanadu” for her alone. But the rest of the show is well worth it, an energetic cast and plenty of zippy cleverness to please most.

I also managed to catch a performance from the great LILY TOMLIN at the National Theatre, what a star! what a wonder! what an inspiration to me and all.

 

Leave a comment

Filed under musical, New York, Theatre